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It is one of the best midi software for Mac. Basically, it is a music making software which supports both Mac OS and Windows as well. It has a large database of the sound library with some really amazing instruments. It contains presets for guitar and voice and has a virtual session as well for drummers. Download this app from Microsoft Store for Windows 10, Windows 10 Mobile, Xbox One. See screenshots, read the latest customer reviews, and compare ratings for Akai MPC2 101 MPC2 Software. Feb 10, 2017 MAC OS Sierra / MBP '12 Retina Quad i7 2.7 Ghz, 16GB RAM, 750 SSD (internal), 2TB SSD (external), SuperiorDrummer3 & SD2.4 w/11+ SDX (on external SSDs) EZD, EZD2 w/32+ EZX EZKeys: Grand, Upright, Electrics, EZMix2: presets!Beatstation ProTools 2018, Harrison Mixbus32C v4 & v5, Logic Pro X, Studio One Pro, Cubase. Classic Soul EZkeys MiDi P2P WiN: 2.9 MB MAC: 5.88 MB DOWN THE SOUL ROAD. A wide range of playing styles for classic soul music. By fusing gospel, blues and jazz with an aura of change and positivity, soul music dominated the charts of the late 1950’s and ’60s. More than. MidiO is an Audio Unit plugin that generates MIDI out for GarageBand software instrument tracks. 09 v5.1.398 on Mac OS X 10.6.8. Of touch instruments and a full-featured recording studio.
Industry | Software Development |
---|---|
Fate | Acquired by Gibson Guitar Corporation |
Founded | 1985; 35 years ago in Palo Alto, California, United States |
Founder | Dave Oppenheim |
Defunct | 1998 |
Products |
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Opcode Systems, Inc. was founded in 1985 by Dave Oppenheim and based in and around Palo Alto, California, USA. Opcode produced MIDI sequencing software for the classic Mac OS and Microsoft Windows, which would later include digital audio capabilities, as well as audio and MIDI hardware interfaces. Opcode's MIDIMAC sequencer, launched in 1986, was the first commercially available MIDI sequencer for the Macintosh computer and one of the first commercially available music sequencers on any commercial computer platform.
History[edit]
In 1985, Stanford University graduate Dave Oppenheim founded Opcode. Dave was the majority partner, focusing on Research & Development, with Gary Briber the minority partner focusing on Sales & Marketing. Paul J. de Benedictis joined the company to write product manuals, test products and demo the products after meeting Ray Spears in San Francisco while he was printing the beta manual for MIDIMAC Sequencer v1.0. The products were announced at the New Orleans Summer NAMM (June 22-25) (after which Apple objected to the name)[4] and, according to composer Laurie Spiegel, publicly available in July, 1985.[5]
In 1986, two major products were released. One was the MIDIMAC Sequencer, which later became the Opcode Sequencer and, eventually, Vision. The other was the MIDIMAC interface for the Macintosh computer. These products allowed musicians to use the Macintosh platform for music sequencing and were utilized by electronic music pioneers such as Herbie Hancock, Wendy Carlos, Thomas Dolby, and others.
In 1986, music software programmer David Zicarelli licensed his Editor/Librarian for the Yamaha DX-7 to Opcode, which published this product. At its peak, Opcode would market over ten separate Editor/Librarians, software programs designed to facilitate the editing of sound patches for digital synthesizers and the storage and organization of those patches on a personal computer.
In 1987, Gary Briber sold his portion of the company to Chris Halaby, with Chris assuming the position of Chief Executive Officer and Marketing and Sales responsibilities falling upon Paul J. de Benedictis and Keith Borman, respectively. Paul de Benedictis was also the product manager for many of the products including the new version of Opcode's sequencer, Vision.
In 1989, Opcode introduced Vision, its award-winning sequencing platform for the Macintosh (and, eventually, Windows computers as well). A simplified version, EZ Vision, was soon released.[6] EZ Vision's successor, MusicShop, included a simple notation view - a first in a sequencing product in that price range (roughly $100 US).
Midi Music Studio Software
Also in 1989, it licensed the computer music authoring system Max from IRCAM, where it had been developed academically by Miller Puckette. Opcode began selling a commercial version of the program in 1990, developed and extended by David Zicarelli. Never a perfect fit for Opcode Systems, active development on the software ceased in the mid-90s. The current commercial version of Max has since been maintained and distributed by Zicarelli's company, Cycling '74 (founded in 1997), since 1999.
In 1990, Opcode introduced Studio Vision (initially called 'Audio Vision'), which added digital audio recording (using Digidesign's digital audio hardware) to Vision's recording and editing platform. Studio Vision was the first-ever commercially available product integrating MIDI sequencing and digital audio editing and recording on a personal computer. Paul J. de Benedictis was the Studio Vision product manager and helped come up with the idea of audio and MIDI in the same product after speaking with Mark Jeffery, a Digidesign employee key to their software development.[7] A version called VisionDSP was released just before the company folded.
Opcode's hardware products included a line of serial MIDI interfaces which included the Studio 3, Studio 4, Studio 5, Studio 64X[8] and 128X,[9] as well as USB interfaces including the DATport, SONICport, MIDIport and STUDIOport lines.[10]
In 1998, Opcode was bought by Gibson Guitar Corporation. Development on Opcode products ceased in 1999.[11]
References[edit]
- ^'Opcode Vision DSP v4.1'. Sound On Sound. January 1999. Archived from the original on 7 June 2015.
- ^'Opcode Studio Vision Pro v3.0'. Sound On Sound. March 1996. Archived from the original on 7 June 2015.
- ^'Opcode Studio Vision Pro 4'. Sound On Sound. October 1998. Archived from the original on 6 June 2015.
- ^Hallaby, Chris. 'The Early Days of Software Sequencers'. kvraudio. Retrieved 3 July 2014.
- ^Spiegel, Laurie. 'A short history of intelligent instruments'. Retrieved 3 July 2014. ('Letter to the Editor, Computer Music Journal, Vol. 11, #3, Fall, 1987.')
- ^[R.L. Blevins, Computer Music Journal, Vol. 14, No. 1, New Performance Interfaces 1 (Spring, 1990), pp. 82-85]
- ^Petersen, George. 'Studio Vision'. mixonline.com. Retrieved 24 September 2012.
- ^'Opcode Studio 64XTC'. Sound On Sound. April 1998. Archived from the original on 15 September 2014.
- ^'Opcode Studio128X'. Sound On Sound. September 1998. Archived from the original on 7 June 2015.
- ^Harmony Central
- ^'Harmony Central News'. Archived from the original on 2007-10-27. Retrieved 2007-09-13.
External links[edit]
- Dave Oppenheim Interview for the NAMM Oral History Program (2012)
- Paul de Benedictis Interview for the NAMM Oral History Program (2009)
![1990 Midi Software For Mac Studio 101 1990 Midi Software For Mac Studio 101](/uploads/1/2/6/3/126359512/349952194.png)
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Audio MIDI Setup User Guide
![Midi studio mac Midi studio mac](/uploads/1/2/6/3/126359512/398769741.jpg)
If you use MIDI devices or a MIDI interface connected to your Mac, you can use Audio MIDI Setup to describe the configuration of your MIDI devices. There’s a default configuration already created, but you can set up your own.
You can use this configuration information for apps that work with MIDI, such as sequencers, to control your MIDI devices.
Note: Make sure your MIDI devices are connected to your Mac. If you’re using an interface device, connect any other MIDI devices you’re using to the interface. Also check that any software provided by the manufacturer of the MIDI devices has been installed. For more information, see the documentation that came with your devices.
View a MIDI configuration
- In the Audio MIDI Setup app on your Mac, choose Window > Show MIDI Studio.
- In the MIDI Studio window, click the Choose MIDI Configuration pop-up menu (it may show Default), then choose the configuration you want to view.
- In the toolbar, click the following buttons to change how the configuration is shown:
- Hierarchical View : Devices in the configuration are shown as icons. If a device isn’t connected, its icon is dimmed. To view information about a device, such as channel properties and ports, and to add or remove ports, double-click the device’s icon.
- List View : Devices in the configuration are shown in a list, organized by type (such as Interface or External Device). If a device isn’t connected, it’s dimmed. To filter which devices are shown, click the Show pop-up menu, then choose an option (such as Online or Connected). To view information about a device, double-click the device. To view its ports, or to connect or disconnect devices, click the device’s disclosure triangle.
Create a MIDI configuration
- In the Audio MIDI Setup app on your Mac, choose Window > Show MIDI Studio.
- In the MIDI Studio window, click the Choose MIDI Configuration pop-up menu (it may show Default), then choose New Configuration.
- Enter a name for the new configuration, then click OK.
- To add a new external MIDI device, click the Add button in the MIDI Studio toolbar.
- To set properties and add or remove ports for the MIDI device, double-click the device, or select it, then click the Device Info button in the toolbar.
- In the Properties window, do any of the following:
- Describe the device: Enter a name for the MIDI device; the name appears in apps you use with the device. If you know the manufacturer and model, you can enter those.
- Change the device icon: Click the MIDI device’s icon to open the Icon Browser, select a different icon to represent the device, then click the new icon to close the Icon Browser.
- Mac based podcast recording software download. Change the device color: Click the color well, select a different color to use for the MIDI device, then close the Colors window.
- Set the device channels and other properties: Click Properties, then click the channels to use for transmitting and receiving audio. To deselect a channel, click it again. Also select whether to use the MIDI Beat Clock, the MIDI Time Code, or both, then select other features.
- Add or remove ports: Click Ports, click the Add button below the list of ports, then specify the MIDI In and MIDI Out connectors for the port. To delete a port, select it in the list, then click the Remove button .
- Select MIDI-CI profiles for interface devices: If an interface device supports MIDI-CI, click MIDI-CI to see the profiles available on each channel. To turn a profile on or off, select or deselect its checkbox.
- Click Apply.
- Repeat steps 4 through 7 for each MIDI device you want to include in the configuration.
- In the MIDI Studio window, specify the connection between MIDI devices:
- In Hierarchical View , drag the In or Out connectors at the top of a device icon to the corresponding connector on another device icon.
- In List View , click a device’s disclosure triangle, click the Port disclosure triangle, click the Add Connection icon, then use the pop-up menus to specify the connections.
If you have a MIDI interface connected to the USB port on your Mac, it should appear in the MIDI Studio window. If it doesn’t, see If a connected MIDI device isn’t shown.
You can’t specify a “MIDI thru” connection between two MIDI devices. To indicate a MIDI thru connection, connect the two MIDI devices to the same port of the MIDI interface device.
Edit a MIDI configuration
Mac Midi Software
- In the Audio MIDI Setup app on your Mac, choose Window > Show MIDI Studio.
- In the MIDI Studio window, click the Choose MIDI Configuration pop-up menu (it may show Default), then choose Edit Configurations.
- Select a configuration, then click Duplicate, Rename, or Delete.
- When you’re finished making changes, click Done.
Free Midi Studio
See alsoTest your MIDI connection in Audio MIDI Setup on MacMIDI Studio window in Audio MIDI Setup on MacIf an audio device isn’t working in Audio MIDI Setup on MacIf a MIDI device is dimmed in Audio MIDI Setup on MacIf a MIDI app isn’t using the configuration in Audio MIDI Setup on Mac